PUTTING YOUR EMOTIONS INTO MUSIC
ORCHESTRATION
«The sounds produced by the orchestra are the most complete external manifestation of the musical ideas that germinate in the composer’s mind»
Walter Piston
CONTENTS:
ORQUESTATION
INSTRUMENTATION
- Doorbell
- Character
- Peculiarities of the instrument
- Peculiarities in its interpretation
& nbsp; ORCHESTRATION
- Power Management
- Handling Ringtones
- Equalization Management
- Character Management
The approximate duration of Classical Orchestration is usually & nbsp; 18 classes.
The classes are developed via & nbsp; Skype & nbsp; for videoconferencing and we use & nbsp; Teamviewer & nbsp; to share our desktops. I also use other tools, such as a & nbsp; Surface & nbsp; whiteboard using & nbsp; Onenote , & nbsp; Staffpad & nbsp; and & nbsp; Reflector ; a webcam that shows every detail of my hands on my digital piano; and from & nbsp; Cubase & nbsp; to load libraries, record MIDI, make annotations in the Score Editor, etc …
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If you need more information, do not hesitate to contact & nbsp; contact & nbsp; with me.
Latest Posts
TEMPLATE – SHEET «REDUCED ORCHESTRA»
If you want to make orchestral sketches like the one in the previous blog post, here is my reduced orchestral template.
